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Free Pattern Friday - APRIL 2017 NUTMEG & CINNAMON - A.K.A. WELCOME MAT

4/14/2017

Hello quilting friends!

I have decided to start a new tradition that I'm calling Free Pattern Friday. Once a month, on a Friday, I will make a pattern available as a free PDF download. The pattern will be available until I post the next one. Then it's gone! So make sure you download your copy today.

You may also want to sign up for my mailing list. That way you’ll never miss an update to my blog. I promise never to sell your name to anyone. I will only ever use it to let you know about what’s going on at my website.

The pattern for this month is called Welcome Mat. This design has a funny story and you can read all about it on my blog by clicking here. The working name was doormat but that didn't sound very nice. So I changed it to Welcome Mat.

While surfing the net I came across a beautiful version of this design created by Helle Stork. I think that she did a beautiful job of pulling together fabrics to make this design shine. Thank you Helle for letting me share your photo with everyone! You should be very proud.

In the gallery of photos you will also see the back of the quilt. This is a great way to use those large prints in your stash. I also want to introduce you to my new kitty Stella. I had the quilt laying out for all of maybe an hour before Stella decided it looked like a good place for a nap. So she nosed out a little cave for herself and went to sleep.

In April and June of 2016 we had to say goodbye to two of the very best cats that we ever met, first Babygirl and then Mr. Grey. It was heartbreaking for us but they both lived very long and exciting lives. We were very lucky that they picked us to be their humans!

Stella must have heard that we were without a cat and found her way to my friend Rachael’s house up in East Durham New York about a week after Mr. Grey passed away. Since She was a stray who needed a home. Isn’t that an amazing coincidence? Maybe it wasn’t a coincidence……..

Anyway enough about the cat population at my house. In this gallery below you can see what this design looks like in four other collections from Timeless Treasures. I also have more design information for you to peruse on the original blog for this design.

I can’t wait to see what your version will look like! Please send me a photo of it when you have completed yours. And don’t forget to leave a comment. That way I know I’m not alone here. : ) You can find the link for this pattern below.

This pattern is available from download from my ETSY Shop. Click here to purchase this pattern.

I hope you have a happy day full of quilting! Namaste my quilting friend, Janice

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How a Quilt Guild Block Challenge Became My Quilt Design Challenge

2/4/2017

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I belong to the Connecticut Piecemakers Quilt Guild of Trumbull Connecticut. Click here to visit our website. Our guild hosts a quilt show which is held biannually. Among the usual features of the quilt show we include a guild block challenge. For the guild block challenge a chairperson is chosen and that person settles on a set of guidelines to be used for a creativity challenge resulting in a submission of blocks from the membership. Each member who contributes a block has a chance at winning the finished quilt top. If a member makes more than one block they have a chance for each block that they contribute to the project.

I volunteered to be the guild challenge chairperson and I quickly decided that flower motifs would be the first requirement for the blocks challenge. As for the size of the blocks I referred back to what I remembered from past challenges. From what I remembered most of the blocks have been blocks of the same size. Although I do remember one year when the blocks only had to be the same height, 12”and for the width the block; it could be 6”, 9” or 12”. That turned out to be a beautiful quilt and the one I remembered most.

The main inspiration for block size in my challenge came from the book Simply Dynamic Sampler Quilts by Marianne Hatton. Her designs include blocks that use a 2 inch multiple base in many combinations such as 2” x 2”, 2” x 4”, 4” x 4”, 4” x 6” and so one up to 24“x 24”. I haven’t completed my quilt using this design arrangement but I have a few blocks completed. Click here to visit her website and see her quilts.

Another source of inspiration was a quilt I saw in my issue of Quiltmaker Magazine March/April 2016. The quilt was called "The Swoopers" and it was designed by Diane Volk Harris. This pattern featured a layout that incorporated blocks of various rectangular dimensions. To create unity the background for the blocks were all the same color but as the blocks were made by different individuals the backgrounds were not of the same fabrics in the chosen color. This gives the quilt a bit of movement without being overwhelming. As a result of the varied block dimensions used in the layout, there were gaps in the block arrangement. This problem was cleverly solved by placing runs of Flying Geese units where the gaps appeared. I would use that as my jumping off point.

Here were the final challenge rules I gave to my guild members;

All flowers must be on a light blue background of cotton broadcloth
The motif can be applique or pieced as desired.
Blocks size could be 6” x 6”, 6” x 9”, 6” x 12”, 9” x 9”, 9” x 12” and finally 12” x 12” inches for each block.

I received a large response from my guild mates. In total I received 59, yes that’s 5 and 9, blocks from 39 (40) of my guild mates! I’ll explain the number in parenthesis in a bit. Be patient young grasshopper, all will be revealed. Some members did indeed submit multiple blocks for the challenge quilt. The break down looked like this when I was done with an inventory of the blocks submitted.
12 – 6 “ x 6” blocks
2 – 6” x 9” blocks
4 – 6” x 12” blocks
20 – 9” x 9” blocks
4 – 9” x 12” blocks
17 – 12” x 12” blocks

To contribute to a bit of unity in the finished quilt I decided that the Flying geese would be bold, bright colors like those used in the flowers and that the background triangles for the flying Geese should be a light blue just like the sky background. I had received many different ideas defining sky blue for the background of the blocks given to me. At first I thought that I would have to gather and mix up various light blue blenders from my stash to use for the Flying Geese.

Then one day I had the great idea to use “Sky Blue” fabrics I painted using Mickey Lawler’s technique for the small triangles on the Flying Geese. Our guild has hosted Mickey Lawler the author of Sky Dyes a couple of times.

Her method of painting a sky utilizes a combination of turquoise and ultramarine with amazingly diverse results. This I decided would be the perfect solution. You can see the color I’m describing on her website. Even better many guild mates who took the class still had their sky fabric and donated it to the project.

Now that I had inventoried all of the blocks it was time to work on the placement for the blocks. Ideally I wanted to work in Electric Quilt (EQ) with the actual blocks but unfortunately I could not do this because of the inconsistency of my camera distance to the blocks. That variable meant that the final jpegs were not in proportion to each other. When I tried to set the blocks to their finished sizes in EQ, I couldn’t see the whole flower motif on the block. Instead I used stock block designs found in EQ to come up with a layout because of the programs “snap to” function which speeds up the process of aligning the blocks to each other.
Staying with the general layout idea used in "The Swoopers" design I focused on random groupings of different dimensioned blocks. This resulted, as I knew it would, with gaps where I could place runs of flying Geese. I also wanted to keep similar blocks made by one individual away from each other in the layout to create diversity in the design. I also tried to keep the geese spread around the quilt in an asymmetrical fashion. To further this imbalance I placed the runs of flying Geese in opposing directions to create visual interest.

After designing the layout in EQ, I used Microsoft Publisher 2013 to manipulate the blocks images to match the layout. In publisher I was able to give each block a measurement proportional to its finished size and still see all of the flower motif on the block. I moved the blocks around until they matched the layout I had created in EQ. This gave me the guide I needed to complete the desired design layout.
Microsoft Publisher 2013 is not ideal for designing, at least not for me, as I don’t know how to make images snap to each other and have to manipulate everything with my hand. Which can be painful after extended periods of time. If you know how to “snap” objects to each other in Publisher 2013 please let me know

As you can imagine a quilt that contains 59 blocks is fairly large. The size of my final design was 57’ x 105”. Whoa nelly! Who’s going to be able to display that in their house? Certainly not Moi. To deal with the size of this behemoth I decided to turn it into a triptych. I learned about these in my college art classes. The format was used for a lot of Renaissance religious art. This was also a great solution because now more than one person can own a part of the design and display it easily. Some members made more than one block, so I divided their blocks among the three panels.

To make the Flying Geese units I had volunteers help with making the flying geese; Bev S, Betsey S, Connie S, Kathy C. Thank you ladies! I sorted the geese into sets and tried spread the different colored fabrics around as evenly as I could. I sewed them together into the desired of runs; 4, 6 or 8 Flying Geese each.

Some blocks weren’t the exact size I needed. That meant that I had to I needed have fabric that blends as much as possible with the existing background fabric. I would use this to make them bigger. If the blocks were more than ¼” off from the desired size, the block had to be made smaller before adding fabric. A decision had to be made about how much to cut from the block and from which sides. Another thing to consider is that the strips needed to be bigger than the desired size so that I could trim them down to size. For some blocks the fabric strips were added to all for corners and for others it was to two adjacent sides. This was dependent on how much space the flower took up within the block. Thank you Rita P. for help with this task!

For blocks that were almost the right size, within a ¼”; I cut a piece of freezer paper at least 1“ larger than the size of the block needed. I ironed this to the back of the block while keeping the block in the center of the freezer paper. Once it cooled I would turn the block over and square up the block cutting through the freezer paper. Now I had straight edges and square corners for joining to neighboring blocks.
As I placed the blocks on my design wall for the first panel I wanted to work on I had a discovery. “Hey! Where did this block come from?” I found out that I had a 6” square block that I forget to include in my layout. I don’t know who made it. Somehow the name tag disappeared. I know I’ll find out who made it eventually but for now what am I to do with it? Oh and another thing “Marge’s block is only 9 inches square and I need a 12 inch square block in that space!” No problem about Marge’s block, I’ll just add strips to it to make it bigger.

As for the extra block it time to go back to the drawing board. My solution was to create a new layout for one of the panels and make more blocks and geese if needed for the new lay out. The process took longer to procrastinate than to actually do! How about that? In the end I only would need to add two 6” x 6” blocks. I could get that done no problem. EQ to the rescue! EQ has an endless supply of blocks. I found two that I liked made a few changes and added them to the quilt design.

Now it was time to construct the quilt top panels. For each panel I would arrange the blocks and Flying Geese on the wall to match the layout I had printed from my EQ design. Next I would move the blocks into sub groups to reflect the sequence I planned to use to assemble the panel. I almost mixed up the block placement on panel three but I caught it before it was too late to rip out and fix. All in all things went well for the first two panels I worked on.

When I finished sewing the third I realized that something had gone awry. Somehow I had changed the placement of the blocks so that two similar blocks would be next to each other when the panels are hung together as a set. The blocks I refer to are the pieced ones at the bottom right corner of the second panel and the bottom left of the last panel. Oh no! I couldn’t have that! How did I mix up these blocks?! Rather than obsess about how I had made this mistake I tried to focus on a solution.

My solution to my quandary, a quilting “shell game”. I switched the sequence of the panels for the triptych design. The first time I rearranged them I ended up with the iris blocks next to each other. So I switched them around one more time. This time I had two sets of Flying Geese runs connecting and creating an "l" shape. I wasn't too thrilled with this but quickly overcame my bias when I thought of the other option which would be ripping stuff apart and re-sewing.

One last complication - My iron died on the last panel. But fortunately I don’t live in rural America and that problem was quickly solved.

I really like how the panels came out. Hopefully I can find a generous guild mate that is willing to put a stippling stich through the panels. If I can, then I’ll finish the panels with a facing and a hanging sleeve. I’ll be sure to post the finished quilt when that happens. Anyway that's how my guild's quilting challenge turned into my quilting challenge. Just remember that quilting can be a bit like engineering and problem solving is part of the process. Be in the moment and enjoy the challenge! It's a experience that helps you to grow as a human being.

Finally, if I were to do this again here are a few things that I would do differently;
Tips for future guild challenges

Impress upon guild mates the importance of using short stitches for all piecing 2.0 or 14 stiches per inch and shorter still for foundation piecing.
Try to have a buffer of background for applique or narrow sashing for pieced blocks. This way the block can be squared up to the exact size without disrupting the elements in the design. Also points will not disappear when sewn.
For applique blocks start with a square at least 2” larger than the desired size. Do not trim before handing off to guild challenge chairperson.
No 3 dimensional applique. All applique of this sort will most likely be subject flattening as the project is constructed.
Explain that any block not meeting these guidelines will be returned to the maker for improvement.

Thank you for reading my blog. Please leave comments below and don't forget to sign up for my email list. I promise I won't SPAM you. You'll be notified of when I post a new item on my blog. Which never happens more than once in a month.

Happy Quilting to all!

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Quiltmaker's Blog tour - 100 Designer Blocks Vol. 14

11/18/2016

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Block # 1359 Conduit

Welcome to my blog for volume 14 of Quiltmaker’s 100 Designer Blocks blog tour. This is my block. I named it “Conduit”. I’ll explain how I developed this block using my trusty Electric Quilt software in this blog. I will be sending one lucky blogger a free copy of Volume 14 at the end of the tour. If you would like to be that lucky person you need to do two things, please visit my Facebook page and click on the “Like” and also leave a comment below. If you have already “Liked” my page then just leave a comment below. I will remind you what you have to do again at the end. Monday, November 21 at 12:00 midnight is the deadline. P.S. if you don't do Facebook, you'll still be included. Just tack that fact onto your comment that you leave below.

Congratulations to Barb Y. of California! I hope you find a lot of inspiration in this issue.
And a big thank you to everyone who visited and left a comment! I'm glad you enjoyed my block and my explanation.

The idea for this block came from my love of switching around the traditional value mapping of familiar blocks. I love Flying Goose units. They’re incredibly versatile to work with. By changing the value placement your ideas can travel into many different directions. I started with the Dutchmen’s Puzzle block shown below.

I handled the block like it was a four patch and rotated some of the double goose units. Next I changed the placement of the values to create a block that would tessellate with its neighboring blocks to create an endless tiling pattern.

Now it was time to choose the colors I would like to work with. I was feeling a bit psychedelic so I chose some stimulating colors for the unit. Here’s the block with the colors I chose.

First I used the block in a horizontal tile setting using the grey scale block. Then I plugged in the colored block to see what it would look like.

Then I played around with making it a bit more complicated. I wondered what the quilt would look like if I added alternate block coloring to the layout, below on the left result. I wondered what would happen if the values changed progressively through the design. This is the design on the right, below.

Going back to my first value map of the block I then wondered what would the quilt look like set on point. Here is the result in grey scale and in color.

I looked through the JPEG swatches in my EQ program for some blender and tonal fabrics to use in my design. On the left below, is an example of what it would look like with blenders from Quilting Treasures Fabrics. Next I needed to find fabrics in my stash to use in the block. Next I printed out the specification sheet from my EQ program, below right.

I took the image with me to look through my stash to see what would match the colors in my image as I imagined it. I started with the violet fabrics first. I needed one cool violet and the other needed to be a warm violet.

I found the two purples and now it was time to find the right green.
Flowing from left to right you can follow my process.

Now that I had my violets and my green it was time to look for the perfect red fabric to compliment the other colors.
At first I thought that I needed a true red color but when I looked at the violets and the green with the reds, I didn’t feel that they were the right match.

So I tried the very deep pink colors I have in my stash. These pink colors are so deep and saturated that they almost are like a red but they have a little more excitement to them. I really like the way these looked and on the right, below, is the one I chose from the box.

Now it was time to spec out the individual Flying Geese units that I needed to make. After sewing up all the units and joining them together I was really pleased with the result!

I hope you enjoyed this blog post. Don’t forget visit my Facebook page (if you do FB) and click the “Like” button and also to leave a comment below. If you have already “Liked” my Facebook page then just leave a comment below. Do one or both of these things and you could be the lucky winner of a free copy of Volume 14 at the end of the tour. Monday, November 21 at 12:00 midnight is the deadline.

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Quiltmaker's 100 block Challenge Volume 14

11/16/2016

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Check here on Friday November 18, 2016. On that day I will reveal my block and I will tell you how you can win a free copy of Quiltmaker's 100 Block Challenge Volume 14.

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Magic Stars Quilt Pattern now available online from Connecting Threads

11/1/2016

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Hi everyone! I’m excited to tell you that I have added a third pattern that is available for download from the Connecting Threads website. Click on the quilt image below for a link to the quilt pattern.

This design was originally published in the September/October 2014 Quiltmaker magazine. This version is different than what was published in the issue. I didn’t pick the fabrics for that quilt. Also the folks at Quiltmaker decided to change the placement of the values. So the resulting quilt didn’t reflect my original vision.

This quilt, made with various values of green and violet, is exactly what I envisioned. I was trying to achieve the illusion of transparency. To get the transparency that I desired I needed to use a couple of my favorite tools.
I used a color filtering tool and a grey scale value card. The first item helps you to see the value of the fabric represented in a neutral color, grey. This way you aren’t swayed by your emotions when you look at the fabric. The second tool helps you to attach a name or number to the value so that you can differentiate between it and other values of grey that may be close to it. The experience of making this quilt was improved by the use of these tools.

I recently did a lecture and workshop for my guild. In the lecture, Quilter's Color Theory Muscle Building, I explained how to use these tools to improve your quilting experience. For the workshop I taught the techniques that I use, from start to finish, to make a quilt with matching seams and not a single triangle point cut cut off anywhere in the design. Both the lecture and the workshop went well, but I think that the workshop might need to be lengthened to a two day class.

Thanks for visiting my blog and leave a comment if you'd like. It just may take me a while. If you haven't recieved an answer to a comment you left on an earlier blog, please be patient with me. Happy New Year to everyone! Please stay safe!

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New quilt Design "Spook-tacular" in Easy Quilts Magazine Fall 2016 from Fons & Porter

7/11/2016

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I have exciting news to share with you. I have a new design in Fons & Porter’s Easy Quilts Fall 2016. Even more exciting, they are offering a kit for the design. I’ll tell you more about that in a little while. The name of the quilt pattern is Spook-tacular.
The fabric is from the Creepy Hollow collection by Quilting Treasures. It’s a fun group of fabrics featuring Halloween motifs in orange, purple, green and of course black. The group includes a panel of every Halloween related creature you could imagine; friendly ghosts, dapper pumpkins, dancing skeletons, big eyed spiders and smiling bats. I fell in love instantly and decided to try coming up with an appropriate design.

The construction for the final design is very basic. It utilizes two very traditional blocks; Shoo Fly and Monkey Wrench. These two blocks are alternated in a 4 x 5 block layout. These are surrounded by a beautiful border print. I used the remaining border print strips on the back of the quilt. I alternated the borders with a tonal fabric. I finished the ends with the tonal so that it would be trimmed off and not the lovely border.

One of my ideas was to use the border on two different tops or make one top the backing for the other. The border print only had two repeats across the width so I had to find a creative use for the remaining fabric borders.

I tried a couple of different ideas before sending them off to F&P to look at. They picked the one they liked best and the rest will live forever as a jpeg on my computer. But I’m going to show them to you first. I came up with one idea that utilized the panel and I tried another for the border print.

I hope you like it. If you make one, please send me a picture when you have the chance.
Happy Quilting!

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BCTV Appearance on Wyse Talk

6/24/2016

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I recently had the honor of appearing on Wyse Talk with Jan Doyle. I met Jan through my quilt guild. She's a really fun and sweet lady. Jan hosts a show on Branford Community TV in Connecticut. Jan interviewed me about my career in quilting. We talk about my designs and show off a few quilts that I've had published. You check out the interview below. It was a little scary at first but it's easy to be interviewed by Jan. She did an awesome job!

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NEW QUILT KIT OFFERED BY FONS & PORTER'S LOVE OF QUILTING, "ROSEWATER"

6/16/2016

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I have exciting news to share with you. Fons & Porter’s Love of Quilting is offering a kit for one of my quilt designs that I created for Quilting Treasures fabrics.

The collection used in the design is called Rosewater and it’s a lovely group of soft colored florals supported by a sweet selection of texture and tonal fabrics to complement the floral prints.

Quilting Treasures offers two sizes for this design, sofa sized and queen/regular sized quilt patterns. Fons & Porter is offering a kit for the sofa size of the design.

Now don’t get too excited because it won’t be available until after the beginning of July.

The construction for this quilt utilizes applique for the circle motifs and foundation piecing for the alternate blocks. If you make it please send me a picture if you have a chance. Happy Quilting!

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Spinning Flowers Quilt Pattern Now Available online from Connecting Threads

5/26/2016

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Hi everyone! I’m excited to tell you that I have added a second pattern available for download from the Connecting Threads website. Click on the quilt image to the right for a link to the quilt pattern.

This design was originally published in the November/December 2014 issue of Fons & Porter's Love of Quilting. If you'd like to know more about this design you can read my blog post about the development of this design by clicking here.

The fabric used in the original design is from two collections by Quilting Treasures called Petals and Matrix. The pattern can be made using precut 2 1/2" strips. You could use an easy-angle ruler for the half square triangles.

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Quiltmaker's Blog Tour - 100 Designer Blocks Vol. 13

5/6/2016

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BLOCK # 1228 TILTED LILY

Welcome to my blog for volume 13 of Quiltmaker’s 100 Designer block blog tour. This is my block. I named it “Tilted Lily” because the traditional Carolina Lily block is set on-point. This one is in a square setting. I’ll explain how this came about a little further down in this blog. I will be sending one lucky blogger a free copy of Volume 13 at the end of the tour. If you would like to be that lucky person you need to do two things, please visit my Facebook page and click on the “Like” and also leave a comment below. If you have already “Liked” my page then just leave a comment below. I will remind you what you have to do again at the end. Monday, May 9 at 12:00 midnight is the deadline. P.S. if you don't do Facebook, you'll still be included. Just tack that fact onto your comment that you leave below.

Congratulations to Beth T. from Oregon! I hope you find a lot of inspiration in this issue.
And a big thank you to everyone who visited and left a comment! I'm glad you enjoyed my block and my explanation.

My first experience with the Carolina Lily block and Y-seams happened when I decided to enter the competition New Quilts from an Old Favorite. The theme for 2014 was the Carolina lily. I knew immediately that I wasn’t going sew a single Y-seam. No Way! I was sure that there had to be an easier way. The only idea that I came across was to make the lily from two Flying Geese units and a Half Square Triangle (HST) unit. The only problem with this technique was that it made the two opposite “V” sections of the petals too deep and the center “V” was too short. This gave the lily a distorted aspect.

I decided that I would work with the technique that uses two Flying Geese units and a Half Square Triangle unit. I figured there had to be a way to use this technique without the resulting distortion. To do this I needed to use my ever dependable Electric Quilt software (EQ). I drafted a single Carolina Lily block flower that had y-seams. I converted the block to guidelines and then drafted over the outlines and the diagonal line that creates the triangle at the bottom. Then I connected the ends of the diagonal with the “V” of the center petal. This creates a Half Square Triangle unit. Next I simply continued the diagonal line of the flower petal until it reached the side of the Half Square Triangle unit. I called these units “Tall” Flying Geese. To construct the “Tall” Flying Geese units I created a foundation paper pattern.

My next encounter with the Lily block and Y-seams was with our Quilt Guild’s raffle quilt. The design that we came up with was an on point setting and it included mostly non-directional applique blocks. The only problem was the setting of the lily block was directional and we felt that it threw everything off visually. After pondering this for a while a solution was found. In one of the magazines we saw a Sue Garman design, "Bed of Roses" that was set on point and included applique. In this quilt the designer used square set applique blocks around the center block. The directional aspect of the applique blocks around the center makes the design feel like a medallion quilt.

So I decided that I could do the same thing with our Carolina Lily block by adding triangles to the sides creating a square set. And that’s how the Lily became “Tilted”.
I was planning on sewing “Tilted Lily” block with my “tall” geese technique when I realized that our quilt design also included a Blazing Star block which is also made with Y-seams. The Blazing Star block is used in the setting triangles as a partial block. Since both blocks include Y-seams I felt it would be confusing to use two different techniques to avoid the Y-seams. So I decide that whatever worked for the Blazing Star block would also work for the Lily block.

I knew that this block would be easier for me to construct if it was a foundation piecing pattern. I started by extending the seam lines to eliminate the Y-seams. I noticed that two adjacent areas contained the same color fabric, so I eliminated the seams line between those pieces.

Now it was time to apply the same idea to the Lily block and here is the result. A much simpler way to construct a challenging block.

I hope you enjoyed this blog post. Don’t forget visit my Facebook page and click the “Like” button and also to leave a comment below. If you have already “Liked” my Facebook page then just leave a comment below. Do these things and you could be the lucky blogger to win free copy of Volume 13 at the end of the tour. Monday, May 9 at 12:00 midnight is the deadline

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Free Pattern Friday - APRIL 2017 NUTMEG & CINNAMON - A.K.A. WELCOME MAT

How a Quilt Guild Block Challenge Became My Quilt Design Challenge

Quiltmaker's Blog tour - 100 Designer Blocks Vol. 14

Block # 1359 Conduit

Quiltmaker's 100 block Challenge Volume 14

Magic Stars Quilt Pattern now available online from Connecting Threads

New quilt Design "Spook-tacular" in Easy Quilts Magazine Fall 2016 from Fons & Porter

BCTV Appearance on Wyse Talk

NEW QUILT KIT OFFERED BY FONS & PORTER'S LOVE OF QUILTING, "ROSEWATER"

Spinning Flowers Quilt Pattern Now Available online from Connecting Threads

Quiltmaker's Blog Tour - 100 Designer Blocks Vol. 13

BLOCK # 1228 TILTED LILY

Janice Averill
West Haven, Connecticut, United states

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Block # 1359 Conduit

BLOCK # 1228 TILTED LILY

Janice AverillWest Haven, Connecticut, United states

Categories

Archives

Janice Averill
West Haven, Connecticut, United states